Gold of Moresque: The liquid glow of the sacred and the sensual

Family olfactory: Oriental

Output notes: Tarragon, Artemisia, Angelica

Heart Notes: Lily of Casablanca, Frangipani, Styrax

Notes background: Mirra, vulcanized incense, Aborne seeds, White musk, Late

Perfumer: Andrea Casotti

Launch year: 2018

Gold of Moresque is much more than a fragrance: it is a majestic alchemy, an ode sensory to the power of fire and the golden mystery that burns in the bowels of the earth. From the first moment, this olfactory work evokes the image of molten, bright and liquid gold, while scorching heat of 1064 ° C. His wake is warm, incandescent, enveloping; Almost hypnotic

The output notes open as a spicy and aromatic whisper: the tarragon displays his aniseed greenery, almost ethereal, which melts with the herbal and wild note of artemisia. Angelica, with its earthy and slightly musky freshness, balances the initial intensity, offering a luminous introduction to a trip that will soon become dense and deep.

In the heart of gold palpita the floral opulence. The Lily of Casablanca manifests itself in all its narcotic splendor, wrapped by the exotic Frangipani, which adds a tropical and solar note. But it is the Styrax, with its smoked and resinous profile, the one who begins to point out the direction towards the occult and the mystical, as if the flowers get rid of smoke before an ancestral ritual.

This perfume is the first in the history of Moresque in using vulcanized raw materials, treated through a pyrogenic process that transforms essential oils with direct action of heat. This treatment gives life to unique chords: denser incences, deeper resins, more creamy woods. The sensation is to be before a living matter that has been marked by fire.

The gold base is a resinous song to the sacred. Mirra, millennial and mysterious, brings its balsamic and mineral duality. The vulcanized incence adds an arcan character, as sacred smoke in a forgotten temple. Abornet seeds bring musk sensuality with a slightly fruitful turn, while the white musk polishes the set with velvety softness.

But it is the ladano who takes the stellar paper in this final curtain. Extracted from Jara when the sun burns more intensity, its resin becomes thick, dense, almost mystical. Its aroma reminds the leather, to amber, to warm skin. The golden ladyan is not just an ingredient, it is an emblem: the very soul of the perfume that burns and remains.

Each drop of gold seems to contain a millenary history, as if it were an aromatic reliquary of lost civilizations, of forgotten rituals, of precious metals molten in the crucible of time. Its trace feels like a perfumed blessing that caresses the skin with golden elegance.

It is not a fragrance to go unnoticed. It is for those who walk with his head high, aware of his presence, his inside fire, of his rarity. Gold does not take; Gold Inhabits, as a throne, a temple or a legend dies. In it, each note is an echo of luxury, alchemy, art in its most incandescent form.